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home·artworks·St. Stephen is Consecrated Deacon
St. Stephen is Consecrated Deacon by Vittore Carpaccio

plate no. 0480

St. Stephen is Consecrated Deacon

Vittore Carpaccio, 1514

oil, canvas, temperaHigh Renaissancereligious paintingfiguresarchitecturecityscapelandscapereligious scenecolumns
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures, and understanding atmospheric perspective to create depth. It also offers practice in rendering architectural details and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main shapes of the buildings, landscape, and groups of figures.

  3. step 03

    Establish the basic color palette using thin washes of color.

  4. step 04

    Develop the architectural details, paying attention to perspective and light.

  5. step 05

    Refine the figures, working from general shapes to specific details of clothing and faces.

  6. step 06

    Add highlights and shadows to create depth and volume.

  7. step 07

    Work on the background details, using lighter tones and less detail to create atmospheric perspective.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · cadmium red light · yellow ochre

Achieve the muted tones by mixing earth pigments with white and small amounts of other colors. Use glazes of transparent colors to create depth and richness.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated.
  • →Neglecting the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 18x24 inches) is recommended for beginners.

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