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home·artworks·St. Michael's Cathedral in Kyiv
St. Michael's Cathedral in Kyiv by Vasyl Hryhorovych Krychevsky

plate no. 5489

St. Michael's Cathedral in Kyiv

Vasyl Hryhorovych Krychevsky, 1952

oilImpressionismcityscapebuildingcathedraltreesskyarchitecturecityscape
some experience helpful

Recreating this painting will help students understand how to capture the effects of light and shadow on architectural forms and how to use broken color to create texture and depth in foliage. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the cathedral, trees, and horizon line.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin layering colors to build up the forms of the building and trees, focusing on local color.

  4. step 04

    Use short, broken brushstrokes to create texture in the foliage and architectural details.

  5. step 05

    Mix and apply the colors for the sky, blending softly.

  6. step 06

    Refine the details of the cathedral, such as windows and architectural elements.

  7. step 07

    Add highlights and shadows to enhance the sense of depth and form.

  8. step 08

    Review the painting and make any necessary adjustments to color, value, and composition.

color palette

primary · yellow ochre · titanium white · ultramarine blue

secondary · burnt sienna · viridian green · cadmium yellow

Mix various shades of white with yellow ochre and burnt sienna to achieve the warm tones of the building. Use ultramarine blue and white for the sky, and mix greens with yellow ochre and ultramarine blue for the foliage.

techniques

  • ·broken color
  • ·dry brush
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Failing to establish a clear value structure.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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