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home·artworks·St.Mark square in Venice
St.Mark square in Venice by Angelo Inganni

plate no. 3759

St.Mark square in Venice

Angelo Inganni, 1839

oilRomanticismcityscapecityscapearchitecturefiguresplazaskyclouds
experienced study

Recreating this painting will help students develop skills in perspective drawing, atmospheric perspective, and rendering complex architectural details. It also provides practice in painting figures in a believable scale and environment.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the perspective grid and placement of major architectural elements.

  2. step 02

    Block in the basic shapes of the buildings and the sky using simplified color washes.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and form.

  4. step 04

    Add details to the architecture, paying attention to the receding perspective.

  5. step 05

    Paint the figures in the foreground, focusing on their proportions and clothing details.

  6. step 06

    Refine the sky and clouds, blending colors to create a sense of atmosphere.

  7. step 07

    Add the smaller details like birds and shadows to enhance the realism.

  8. step 08

    Apply final glazes to unify the painting and adjust the overall color balance.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ivory black

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and white. Use burnt sienna and cadmium red light to create warm tones for the buildings and figures.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Incorrect perspective leading to distorted buildings
  • →Overly bright or saturated colors that detract from the atmospheric effect
  • →Neglecting the subtle value shifts in the sky and buildings
  • →Inaccurate figure proportions

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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