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home·artworks·St. Maria Micaela Desmaisìères
St. Maria Micaela Desmaisìères by Luis de Madrazo y Kuntz

plate no. 7401

St. Maria Micaela Desmaisìères

Luis de Madrazo y Kuntz, 1865

oilRomanticismportraitportraitfigurenunreligioustablebook
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It will also provide practice in depicting drapery and subtle variations in dark colors.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and key elements.

  2. step 02

    Block in the large areas of color, starting with the background and the nun's habit.

  3. step 03

    Develop the skin tones on the face and hands, paying attention to subtle variations in light and shadow.

  4. step 04

    Refine the details of the habit, including the folds and highlights.

  5. step 05

    Paint the book and the table, focusing on accurate perspective and color.

  6. step 06

    Add the details of the rosary and the religious artifact, paying attention to their texture and form.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · raw umber

secondary · ultramarine blue · cadmium red light · yellow ochre

Mix ivory black with small amounts of ultramarine blue to create the dark tones of the habit. Use titanium white and raw umber to create the skin tones, adding small amounts of cadmium red light and yellow ochre for warmth. Mix ultramarine blue and white for the table cloth.

techniques

  • ·portraiture
  • ·drapery rendering
  • ·glazing
  • ·color mixing
  • ·value control

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Making the dark areas of the habit too flat and lifeless.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of accurate perspective in the book and table.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve flow.

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