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St. Luke by El Greco

plate no. 8230

St. Luke

El Greco, 1605

oil, canvasMannerism (Late Renaissance)religious paintingfigurebookreligiousportraitsaintclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and expression, as well as understanding chiaroscuro and creating depth through value variations. It also provides practice in rendering textures like fabric and paper.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, book, and main shapes.

  2. step 02

    Establish the dark background using thin washes of dark brown and black.

  3. step 03

    Block in the main colors of the figure's clothing and skin tones, paying attention to the overall color harmony.

  4. step 04

    Begin to build up the values, focusing on the areas of light and shadow to create form.

  5. step 05

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the book, including the pages, text, and the image within.

  7. step 07

    Develop the textures of the clothing and book using visible brushstrokes.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · viridian · alizarin crimson · ultramarine blue

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and black for the dark background, and mix greens by combining yellow ochre and viridian. Add white to lighten colors and create highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the likeness and expression of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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