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St Louis by Pietro Lorenzetti

plate no. 1170

St Louis

Pietro Lorenzetti

oilInternational Gothicreligious paintingfigurereligiousbookcrownstaffgeometric pattern
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for aged effects, and rendering textures with visible brushstrokes. It also offers practice in replicating geometric patterns and understanding historical art styles.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, including the figure, book, crown, and surrounding geometric frame.

  2. step 02

    Establish the background color with a thin wash of yellow ochre and raw sienna, allowing for variations in tone to simulate age.

  3. step 03

    Block in the main areas of color for the figure's face, hair, clothing, and book, using muted tones.

  4. step 04

    Begin layering details on the face, focusing on subtle color variations for highlights and shadows.

  5. step 05

    Add details to the crown and staff, using small brushes for precision.

  6. step 06

    Develop the texture of the book cover using dry brush techniques and varying shades of red and brown.

  7. step 07

    Carefully paint the geometric patterns around the central figure, paying attention to symmetry and color placement.

  8. step 08

    Add final details and adjust values to create a cohesive and aged appearance.

color palette

primary · yellow ochre · raw sienna · burnt umber · titanium white

secondary · red oxide · ivory black · flesh tint · gold

Achieve the aged look by mixing muted tones with yellow ochre, raw sienna, and burnt umber. Use small amounts of black to darken shadows, and white to create highlights. Flesh tones are achieved by mixing red, yellow, and white.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·portraiture
  • ·geometric pattern replication

common pitfalls

  • →Overworking the colors and losing the aged effect.
  • →Creating harsh lines instead of soft transitions.
  • →Inaccurately replicating the geometric patterns.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil (if using oil paints)
  • ·Odorless mineral spirits (for cleaning brushes)

optional

  • ·Retarder medium (for acrylics)
  • ·Varnish
  • ·Easel

Consider using a textured canvas to enhance the aged effect. Acrylics are more beginner-friendly, while oils offer richer color blending.

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