apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Joseph's Chapel
St. Joseph's Chapel by Carlo Urbino

plate no. 2556

St. Joseph's Chapel

Carlo Urbino, 1540

frescoMannerism (Late Renaissance)religious paintingfiguresreligiousceilingarchitectureangelsornaments
advanced study

Recreating this painting would develop skills in figure drawing, foreshortening, and creating a sense of depth and movement within a complex composition. Students will also learn to mix subtle color variations for skin tones and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall octagonal structure and major architectural elements.

  2. step 02

    Sketch the main figures, paying attention to their poses and relationships to each other.

  3. step 03

    Block in the basic colors of the background sky and the figures' drapery.

  4. step 04

    Start building up the values and details in the figures, focusing on the light and shadow.

  5. step 05

    Add the architectural details and ornamentation, using gold and white highlights.

  6. step 06

    Refine the details of the figures' faces and hands.

  7. step 07

    Blend the colors smoothly to create a soft, ethereal effect.

  8. step 08

    Add final touches and highlights to enhance the sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · alizarin crimson · viridian green · gold

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white, adding small amounts of alizarin crimson for warmth. Create the blue sky by blending ultramarine blue and titanium white, varying the proportions for different shades.

techniques

  • ·figure drawing
  • ·foreshortening
  • ·glazing
  • ·sfumato
  • ·trompe-l'oeil

common pitfalls

  • →Incorrect proportions in the figures.
  • →Overly harsh or muddy colors.
  • →Lack of depth and dimension.
  • →Inaccurate rendering of the architectural details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·assorted round brushes
  • ·ultramarine blue acrylic paint
  • ·burnt umber acrylic paint
  • ·titanium white acrylic paint
  • ·yellow ochre acrylic paint
  • ·acrylic medium

optional

  • ·palette knife
  • ·retarder medium
  • ·metallic gold paint

Use high-quality acrylic paints for best results. Consider using a retarder medium to slow the drying time and allow for more blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti