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home·artworks·St. John the Evangelist
St. John the Evangelist by Piero di Cosimo

plate no. 4666

St. John the Evangelist

Piero di Cosimo, 1504

oilHigh Renaissancereligious paintingfiguresaintsnakecupreligiousportrait
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value transitions, as well as rendering drapery and metallic surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure, cup, and snake, paying attention to proportions and placement.

  2. step 02

    Block in the main areas of color: the background, skin tones, clothing, and cup.

  3. step 03

    Begin layering and blending the skin tones, focusing on subtle value changes to create form.

  4. step 04

    Develop the drapery, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Refine the details of the cup and snake, adding highlights and shadows to create a metallic effect.

  6. step 06

    Work on the details of the face, including the eyes, nose, and mouth, to capture the expression.

  7. step 07

    Add the final details, such as the hair and the embellishments on the clothing.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · burnt umber · ivory black · viridian

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and ivory black to create the dark background. Mix blue and white for the shirt, and red and white for the cloak.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle value changes in the drapery.
  • →Inaccurate rendering of the metallic surfaces.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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