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home·artworks·St. John the Baptist (Self-Portrait)
St. John the Baptist (Self-Portrait) by Carel Willink

plate no. 7053

St. John the Baptist (Self-Portrait)

Carel Willink, 1938

oilMagic Realismself-portraitfigureportraitlandscapefoliageskyhands
experienced study

Recreating this painting will help students develop skills in portraiture, anatomy, and creating realistic skin tones with subtle color variations. It also provides practice in rendering complex textures and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the figure, paying attention to proportions and anatomical accuracy.

  2. step 02

    Block in the background elements: the wall, foliage, and distant landscape.

  3. step 03

    Establish the basic skin tones using a limited palette, focusing on light and shadow.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details in the hands, capturing the subtle variations in tone and texture.

  6. step 06

    Add details to the background, including the foliage and distant landscape.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · ultramarine blue · viridian green · ivory black

Achieve skin tones by mixing white, yellow ochre, and small amounts of red and umber. Use blue and green to create cooler shadows. Mix ultramarine blue and burnt umber to create darks for the background.

techniques

  • ·portraiture
  • ·glazing
  • ·color mixing
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions in the figure.
  • →Overly saturated or unnatural skin tones.
  • →Lack of depth in the background.
  • →Ignoring subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·painting varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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