apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Jerome, St. Christopher and St. Augustine
St. Jerome, St. Christopher and St. Augustine by Giovanni Bellini

plate no. 5514

St. Jerome, St. Christopher and St. Augustine

Giovanni Bellini, 1513

oil, canvasHigh Renaissancereligious paintingfigureslandscapereligiousarchitecturebookssky
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and atmospheric perspective. It also offers practice in creating a complex composition with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, focusing on accurate proportions.

  2. step 02

    Establish the background landscape with broad strokes, paying attention to atmospheric perspective.

  3. step 03

    Block in the main colors of the figures' robes and skin tones, using thin washes.

  4. step 04

    Develop the details of the faces, hands, and feet, focusing on accurate anatomy and subtle shading.

  5. step 05

    Add the architectural details, paying attention to the play of light and shadow.

  6. step 06

    Refine the drapery folds and textures, using a variety of brushstrokes.

  7. step 07

    Add the details of the books, staffs, and other objects.

  8. step 08

    Apply final glazes to unify the colors and create a sense of depth.

color palette

primary · red ochre · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · ivory black · cadmium red light

Achieve skin tones by mixing white, red ochre, and a touch of raw umber. Create atmospheric perspective by adding white and blue to distant colors.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Inaccurate proportions in the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael