apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Jerome in the Desert
St. Jerome in the Desert by Lorenzo Lotto

plate no. 2876

St. Jerome in the Desert

Lorenzo Lotto, 1509

oil, woodHigh Renaissancereligious paintingfigurelandscapetreesrocksskybook
some experience helpful

Recreating this painting will help students develop skills in depicting the human figure in a landscape setting and understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of St. Jerome and the landscape elements.

  2. step 02

    Establish the background sky and distant landscape with thin washes of color.

  3. step 03

    Block in the large shapes of the rocks and trees, paying attention to their forms and values.

  4. step 04

    Begin to define the figure of St. Jerome, focusing on accurate proportions and anatomy.

  5. step 05

    Develop the details of the foreground, including the ground, books, and lion.

  6. step 06

    Refine the lighting and shadows throughout the painting to create depth and dimension.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix various shades of brown and ochre for the rocks and landscape. Use glazes of ultramarine blue to create atmospheric perspective in the distance. Mix cadmium red with burnt umber to achieve the color of the drapery.

techniques

  • ·underpainting
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·dry brushing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to create a sense of depth in the landscape.
  • →Overworking the details and losing the overall unity of the painting.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Adoration of the Kings

The Adoration of the Kings

Giorgione

The Annunciation

The Annunciation

Vittore Carpaccio

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Madonna and Child with Saints Liberale and Francis (The Castelfranco Madonna)

Giorgione

St. Helena

St. Helena

Cima da Conegliano

St. Nicholas of Tolentino

St. Nicholas of Tolentino

Pietro Perugino

Portrait of Elizabeth Gonzaga

Portrait of Elizabeth Gonzaga

Raphael

Sibyl

Sibyl

Dosso Dossi

Madonna with Child and Saints

Madonna with Child and Saints

Raphael