apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St. Jerome in meditation
St. Jerome in meditation by Giorgio Vasari

plate no. 2227

St. Jerome in meditation

Giorgio Vasari

oilMannerism (Late Renaissance)religious paintingfigurelionskulllandscapereligioustree
experienced study

Recreating this painting will help students develop skills in figure drawing, anatomical accuracy, and creating depth through atmospheric perspective. It also provides practice in rendering realistic textures and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and composition.

  2. step 02

    Establish the background landscape with broad washes of color.

  3. step 03

    Block in the main figure of St. Jerome, paying attention to proportions and anatomy.

  4. step 04

    Add the lion and other symbolic elements like the skull and book.

  5. step 05

    Begin layering colors to build up form and volume in the figures.

  6. step 06

    Refine the details of the face, hands, and drapery.

  7. step 07

    Adjust the lighting and shadows to create depth and drama.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve skin tones by mixing burnt sienna, raw umber, and titanium white. Use ultramarine blue and burnt sienna to create the dark shadows in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·figure drawing

common pitfalls

  • →Incorrect proportions in the figures
  • →Overblending and losing detail
  • →Inaccurate rendering of light and shadow
  • →Getting lost in details before establishing the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a toned canvas to speed up the underpainting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Apollo and the Muses (Parnassus)

Apollo and the Muses (Parnassus)

Lavinia Fontana

Portrait Of Don Rodrigo Vasquez

Portrait Of Don Rodrigo Vasquez

El Greco

Madonna Bolognini

Madonna Bolognini

Correggio

The Unhappy Lot of the Rich

The Unhappy Lot of the Rich

Maerten van Heemskerck

Head of a Woman

Head of a Woman

Orazio Gentileschi

The Deposition

The Deposition

Giorgio Vasari

Portrait of a Man Holding a Letter

Portrait of a Man Holding a Letter

Francesco de' Rossi (Francesco Salviati), "Cecchino"

Portrait of the Physician Carlo Fontana

Portrait of the Physician Carlo Fontana

Bartolomeo Passerotti