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home·artworks·St Jerome
St Jerome by Tintoretto

plate no. 7417

St Jerome

Tintoretto, 1550

oil, canvasMannerism (Late Renaissance)religious paintingfigureportraitbeardreligious figurehalorobe
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and textures, as well as understanding chiaroscuro to create depth and form. It also offers practice in depicting fabrics and creating a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (e.g., burnt umber wash).

  2. step 02

    Sketch the basic shapes and proportions of the figure, focusing on the head, beard, and robe.

  3. step 03

    Establish the main areas of light and shadow using a limited palette of earth tones.

  4. step 04

    Begin layering paint, starting with the darker areas and gradually building up the highlights.

  5. step 05

    Pay close attention to the skin tones, mixing colors to capture the subtle variations in hue and value.

  6. step 06

    Develop the texture of the beard using dry brush techniques and layering.

  7. step 07

    Refine the details of the robe and background, paying attention to the folds and drapery.

  8. step 08

    Add final highlights and details to the face and beard to create a sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · alizarin crimson · yellow ochre

Achieve skin tones by mixing white, raw sienna, and a touch of alizarin crimson. Use burnt umber and black for shadows. Mix white with yellow ochre and a touch of burnt sienna for highlights in the beard.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brush
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Not paying enough attention to the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A canvas with a medium texture is recommended.

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