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home·artworks·St. Gregory the Great
St. Gregory the Great by Francisco Goya

plate no. 3743

St. Gregory the Great

Francisco Goya, 1797

oil, canvasRomanticismportraitfigureportraitbookreligious figurerobehat
experienced study

Recreating this painting will help students develop skills in chiaroscuro, portraiture, and rendering complex textures with limited color palette. It also provides practice in capturing the likeness and expression of a subject.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
5
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Establish the dark background using thin washes of dark brown and black.

  3. step 03

    Block in the main areas of light and shadow on the figure's face, robe, and book.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow.

  5. step 05

    Develop the textures of the robe, hat, and book, using a variety of brushstrokes.

  6. step 06

    Add details to the book and the figure's clothing.

  7. step 07

    Refine the edges and transitions between light and shadow.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Use raw umber and ivory black to create a range of dark tones for the background and shadows. Mix yellow ochre and titanium white for highlights on the robe and hat. Burnt sienna and cadmium red light can be used sparingly for accents and warmth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the overall tonal harmony.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value range.

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oil painting for beginners →how to learn by studying the masters →
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