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home·artworks·St. Goarhausen on the Rhine Between Koblenz and Mainz
St. Goarhausen on the Rhine Between Koblenz and Mainz by John Frederick Lewis

plate no. 1849

St. Goarhausen on the Rhine Between Koblenz and Mainz

John Frederick Lewis, 1827

watercolor, gouacheRomanticismlandscaperock formationtreesriverlandscapefoliagesky
some experience helpful

Recreating this painting will help students develop skills in layering watercolor washes to create depth and texture, and in using dry brush techniques to depict the ruggedness of the rocks. Students will also learn how to simplify complex natural forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the rock formation, the trees, and the riverbank.

  2. step 02

    Apply a light wash of diluted yellow ochre and raw sienna to the sky and the lighter areas of the rock formation and riverbank.

  3. step 03

    Begin layering washes of blues and grays to define the shadows and crevices in the rock formation, allowing some of the initial wash to show through.

  4. step 04

    Add washes of greens and browns to the trees and foliage, varying the intensity to create depth and texture.

  5. step 05

    Use a dry brush technique with darker browns and grays to add texture and detail to the rocks.

  6. step 06

    Paint the river with blues and grays, suggesting reflections and movement.

  7. step 07

    Add details to the foreground, such as grasses and small rocks, using a fine brush.

  8. step 08

    Refine the overall composition by adding highlights and shadows where needed.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · raw umber · sap green · payne's gray

Mix blues and browns to create various shades of gray for the rocks. Combine yellow ochre and sap green for natural-looking foliage. Use diluted washes for lighter tones and build up intensity with multiple layers.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·glazing
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing.
  • →Creating muddy colors by over-blending.
  • →Not allowing washes to dry completely before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb cold press)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve various effects.

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watercolor techniques →how to learn by studying the masters →
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