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home·artworks·St.Francis
St.Francis by Gentile da Fabriano

plate no. 7726

St.Francis

Gentile da Fabriano

panel, temperaInternational Gothicreligious paintingfiguresmountainsangelreligiouslandscapebuilding
some experience helpful

Recreating this painting will help students develop skills in rendering drapery folds and creating atmospheric perspective to depict depth. It also provides practice in painting figures with accurate proportions and expressive gestures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: mountains, figures, building, and angel.

  2. step 02

    Establish the background with thin washes of color, focusing on the atmospheric perspective of the mountains.

  3. step 03

    Block in the basic colors of the figures' robes, paying attention to the light and shadow patterns.

  4. step 04

    Refine the drapery folds with darker and lighter tones, creating a sense of volume.

  5. step 05

    Paint the angel figure with vibrant reds and oranges, using smooth blending techniques.

  6. step 06

    Add details to the building and surrounding landscape, including the small figures and foliage.

  7. step 07

    Carefully paint the light rays emanating from the angel, using thin, straight lines.

  8. step 08

    Add final details and highlights to enhance the overall realism and luminosity.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green · ultramarine blue

Achieve the robe colors by mixing yellow ochre with burnt umber and white for highlights and shadows. Create the angel's vibrant colors by blending cadmium red with touches of yellow and white.

techniques

  • ·drapery rendering
  • ·atmospheric perspective
  • ·figure drawing
  • ·linear perspective
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.
  • →Ignoring the atmospheric perspective, resulting in a flat composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·gesso
  • ·acrylic paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Use a high-quality canvas and paints for best results. Consider using a medium to slow the drying time of the acrylics, allowing for smoother blending.

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