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home·artworks·St. Erasmus in Bishop Islips Chapel, Westminster Abbey
St. Erasmus in Bishop Islips Chapel, Westminster Abbey by J.M.W. Turner

plate no. 4241

St. Erasmus in Bishop Islips Chapel, Westminster Abbey

J.M.W. Turner

watercolor, paperRomanticisminteriorarchitectureinteriorcathedralarchescolumnsfigure
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering complex architectural details, and capturing subtle light and shadow variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic architectural structure, focusing on perspective and proportions.

  2. step 02

    Establish the main light source and areas of light and shadow.

  3. step 03

    Begin with a thin wash of diluted warm browns and yellows to establish the base tone.

  4. step 04

    Gradually build up darker values in the shadows using layers of washes.

  5. step 05

    Add details to the architecture, using a fine brush for intricate patterns.

  6. step 06

    Use dry brush techniques to create texture on the stone surfaces.

  7. step 07

    Introduce cooler tones in the distant areas to enhance atmospheric perspective.

  8. step 08

    Add the figure as a final detail, paying attention to its scale and placement.

color palette

primary · raw umber · burnt sienna · yellow ochre

secondary · ultramarine blue · ivory black · titanium white

Achieve the warm, luminous tones by mixing yellow ochre with burnt sienna and a touch of white. Create shadows by adding raw umber and a hint of blue.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·linear perspective
  • ·value studies

common pitfalls

  • →Overworking details too early
  • →Ignoring the importance of light and shadow
  • →Failing to establish a strong sense of perspective
  • →Using colors that are too saturated

materials

surface · watercolor paper 140lb cold press

required

  • ·Watercolor paper 140lb cold press
  • ·Watercolor paints (raw umber, burnt sienna, yellow ochre, ultramarine blue, ivory black, titanium white)
  • ·Round brushes (sizes 2, 6, 10)
  • ·Flat brush (1/2 inch)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil (2H)

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Ruler

Use high-quality watercolor paper to withstand multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

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