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home·artworks·St. Dominic Polyptych
St. Dominic Polyptych by Lorenzo Lotto

plate no. 7402

St. Dominic Polyptych

Lorenzo Lotto, 1506

oil, woodHigh Renaissancereligious paintingfiguresreligiousarchitectureinterioraltarpieceangels
experienced study

Recreating this painting will help students develop skills in figure drawing, composition, and rendering complex architectural details. It also provides practice in glazing and layering techniques to achieve depth and luminosity.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the overall composition, paying attention to proportions and perspective.

  2. step 02

    Block in the main shapes and figures with thin washes of color.

  3. step 03

    Begin layering colors, starting with the darker values and gradually building up to the lighter tones.

  4. step 04

    Focus on rendering the faces and hands with careful attention to detail and expression.

  5. step 05

    Add details to the clothing and architectural elements, using fine brushes and precise strokes.

  6. step 06

    Glaze over certain areas to unify the colors and create a sense of depth.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the figures and objects.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · titanium white

secondary · burnt umber · raw sienna · ivory black

Achieve flesh tones by mixing titanium white, cadmium red, and yellow ochre. Use ultramarine blue and burnt umber to create shadows and darker tones. Mix raw sienna and yellow ochre for the golden hues of the architecture.

techniques

  • ·glazing
  • ·layering
  • ·figure drawing
  • ·architectural rendering
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Inaccurate perspective of architectural elements
  • →Muddy colors due to overmixing
  • →Lack of contrast and depth
  • →Overworking details before establishing the overall composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next. Use a medium to thin the paint and improve its flow.

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