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home·artworks·St. Bernardino of Siena preaching to Alfonso V of Aragon
St. Bernardino of Siena preaching to Alfonso V of Aragon by Francisco Goya

plate no. 6392

St. Bernardino of Siena preaching to Alfonso V of Aragon

Francisco Goya, 1783

oilRomanticismgenre paintingfigurescrowdpreacherlandscapeskytree
experienced study

Recreating this painting will help students develop skills in figure drawing, composition with many elements, and creating atmospheric perspective. It also provides practice in rendering different textures and fabrics.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of the main figures.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Refine the figures, paying attention to proportions and anatomical details.

  4. step 04

    Develop the background landscape, using lighter values and softer edges to create depth.

  5. step 05

    Add details to the clothing and accessories, such as folds, buttons, and jewelry.

  6. step 06

    Model the faces, paying attention to the light and shadow to create realistic forms.

  7. step 07

    Add highlights and reflections to create a sense of realism.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and finished painting.

color palette

primary · burnt umber · yellow ochre · titanium white · ivory black

secondary · cadmium red · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create shadows by adding burnt umber and blue to the skin tone mix. Mix greens for the landscape by combining yellow ochre and ultramarine blue.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.
  • →Overworking the painting and losing the freshness of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned ground to unify the colors.

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oil painting for beginners →how to learn by studying the masters →
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