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home·artworks·St. Augustine Altarpiece (right wing)
St. Augustine Altarpiece (right wing) by Luca Signorelli

plate no. 4637

St. Augustine Altarpiece (right wing)

Luca Signorelli, 1498

oilHigh Renaissancereligious paintingfiguresreligiousrobeshalobookslandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating subtle gradations of light and shadow to model form. It also offers practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of the figures.

  2. step 02

    Block in the main shapes and colors of the background, figures, and drapery.

  3. step 03

    Start refining the values and adding details to the faces, hands, and other focal points.

  4. step 04

    Carefully blend the colors to create smooth transitions and realistic skin tones.

  5. step 05

    Add highlights and shadows to define the folds and textures of the drapery.

  6. step 06

    Work on the details of the clothing, books, and other objects.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · red · black · white · gold

secondary · blue · brown · grey

Achieve the rich reds by mixing a crimson with a touch of brown. Create the dark tones by combining black with burnt umber and a hint of blue. Mix the skin tones using white, yellow ochre, and a touch of red and brown.

techniques

  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·drapery rendering
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall harmony.
  • →Failing to create a convincing sense of depth and volume.
  • →Not capturing the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red, black, white, yellow ochre, burnt umber, blue)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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