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home·artworks·St. Anthony Abbot
St. Anthony Abbot by Jacopo Pontormo

plate no. 7080

St. Anthony Abbot

Jacopo Pontormo, 1519

oil, woodMannerism (Late Renaissance)religious paintingfiguresaintscrollstaffbeardreligious
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and form through careful value control and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose, the scroll, and the staff.

  2. step 02

    Establish the background with a thin layer of muted green.

  3. step 03

    Block in the main shapes of the figure, focusing on accurate proportions and placement.

  4. step 04

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  5. step 05

    Develop the drapery, paying attention to the folds and how light interacts with the fabric.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth, to capture the saint's expression.

  7. step 07

    Add details to the scroll and staff, including the lettering on the scroll.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Achieve skin tones by mixing white, yellow ochre, and a touch of burnt sienna. Use ultramarine blue and burnt umber to create deep shadows in the drapery. Muted greens for the background can be achieved by mixing yellow ochre, ultramarine blue, and white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create sufficient contrast between light and shadow.
  • →Ignoring the subtle color variations in the drapery.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (raw umber, ivory black, titanium white, yellow ochre, burnt sienna, ultramarine blue)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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