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home·artworks·Square in Argenteuil
Square in Argenteuil by Gustave Caillebotte

plate no. 6000

Square in Argenteuil

Gustave Caillebotte, 1883

oil, canvasImpressionismlandscapetreesstreetbuildingsskyfigurescarriage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in capturing the fleeting effects of light and shadow in an outdoor scene. It also provides practice in simplifying complex forms into basic shapes and using expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the trees and buildings.

  2. step 02

    Block in the large areas of color: sky, ground, and foliage, using thin washes.

  3. step 03

    Begin layering colors in the trees, using a mix of greens, oranges, and yellows to create depth and texture.

  4. step 04

    Add details to the buildings and figures, keeping the brushstrokes loose and expressive.

  5. step 05

    Refine the shadows and highlights to create a sense of depth and dimension.

  6. step 06

    Add final details to the foreground, such as the grass and the texture of the street.

  7. step 07

    Step back and assess the overall balance and harmony of the painting.

  8. step 08

    Make any necessary adjustments to the colors, values, or composition.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · sap green

secondary · titanium white · cadmium yellow · alizarin crimson

Mix greens by combining blue and yellow, and create warm oranges by blending red and yellow. Use white to lighten colors and create highlights, and mix darker tones by adding small amounts of burnt sienna or ultramarine blue to your greens and browns.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima
  • ·Impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors that are too saturated and not capturing the subtle nuances of light and shadow.
  • →Failing to simplify the complex forms and details of the scene.
  • →Not paying attention to the overall composition and balance of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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