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home·artworks·Spring Sun
Spring Sun by Matej Sternen

plate no. 5790

Spring Sun

Matej Sternen

oilImpressionismlandscapehousetreeslandscapefoliageshadowspath
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing light and shadow with visible brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the house, trees, and ground, focusing on proportions and placement.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Begin applying thicker paint with visible brushstrokes, following the direction of light and form.

  4. step 04

    Layer different colors within each area to create depth and texture, using broken color techniques.

  5. step 05

    Pay attention to the shadows and highlights, adjusting the values to create a sense of volume.

  6. step 06

    Add details to the trees and foliage, using smaller brushstrokes to suggest leaves and branches.

  7. step 07

    Refine the edges and details of the house, adding subtle variations in color and texture.

  8. step 08

    Make final adjustments to the overall composition, ensuring a harmonious balance of color and form.

color palette

primary · titanium white · sap green · yellow ochre · ultramarine blue

secondary · burnt sienna · alizarin crimson · violet

Mix greens by blending yellow ochre and ultramarine blue with varying amounts of white. Achieve the off-white of the house by mixing titanium white with small amounts of yellow ochre and violet.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-dry layering
  • ·color mixing

common pitfalls

  • →Over-blending the colors, resulting in a muddy or flat appearance.
  • →Ignoring the direction of light, leading to a lack of depth and form.
  • →Getting bogged down in details too early, before establishing the overall composition.
  • →Using too much paint, creating a heavy or overworked effect.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, sap green, yellow ochre, ultramarine blue, burnt sienna, alizarin crimson)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use good quality oil paints for best results. A medium-textured canvas will help to create a more textured surface.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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