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home·artworks·Spring Landscape
Spring Landscape by Emil Carlsen

plate no. 6866

Spring Landscape

Emil Carlsen, 1910

oilImpressionismlandscapetreeswaterlandscapeskyfoliagelake
some experience helpful

This painting is great for learning how to create atmospheric perspective and soft, blended color transitions. Students will practice layering and scumbling techniques to achieve the hazy, impressionistic effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees, land, and water, paying attention to proportions.

  2. step 02

    Block in the sky with a light gray-blue, blending it softly.

  3. step 03

    Establish the dark masses of the trees with a mix of browns and greens.

  4. step 04

    Add the lighter greens of the foliage, using broken brushstrokes.

  5. step 05

    Paint the water with horizontal strokes, reflecting the colors of the sky and trees.

  6. step 06

    Develop the details of the trees, adding branches and twigs with a fine brush.

  7. step 07

    Refine the colors and values, adjusting the atmospheric perspective.

  8. step 08

    Add final highlights and details to create depth and interest.

color palette

primary · gray-blue · sap green · burnt umber

secondary · yellow ochre · titanium white · raw sienna

Achieve the muted greens by mixing sap green with burnt umber and a touch of yellow ochre. Create the atmospheric haze by adding white to the colors and blending softly.

techniques

  • ·scumbling
  • ·wet-on-wet blending
  • ·broken color
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating harsh lines instead of soft transitions.
  • →Using colors that are too bright or saturated.
  • →Ignoring the atmospheric perspective and failing to create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

A toned canvas (light gray or brown) can be helpful for establishing the overall value range.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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