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home·artworks·Spring Day on Karl Johan Street
Spring Day on Karl Johan Street by Edvard Munch

plate no. 9426

Spring Day on Karl Johan Street

Edvard Munch, 1890

oil, canvasImpressionismgenre paintingstreetbuildingsfiguresumbrellastreescrowd
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and creating atmospheric perspective with subtle value shifts. It also provides practice in simplifying complex scenes into essential shapes and colors.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the perspective of the street and the placement of major elements like buildings and trees.

  2. step 02

    Establish a warm underpainting using a diluted wash of burnt sienna or raw umber.

  3. step 03

    Block in the large shapes of the buildings, trees, and ground using simplified color masses.

  4. step 04

    Begin adding details to the buildings, focusing on the light and shadow patterns.

  5. step 05

    Paint the figures and umbrellas using small, broken brushstrokes of color.

  6. step 06

    Develop the texture of the trees and foliage with short, stippled brushstrokes.

  7. step 07

    Refine the details and add highlights to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red · raw umber

Achieve the warm, muted tones by mixing the primary colors with small amounts of the secondary colors. Use white to lighten the values and create subtle color variations.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·dry brushing
  • ·pointillism (loosely)

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated.
  • →Failing to establish a strong sense of perspective.
  • →Not varying the brushstrokes enough to create texture.
  • →Ignoring the subtle value shifts that create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (small round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grit canvas to enhance the texture of the painting. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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