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home·artworks·Soup Kitchen in the Monastary
Soup Kitchen in the Monastary by Heinrich Bürkel

plate no. 4609

Soup Kitchen in the Monastary

Heinrich Bürkel, 1865

oil, canvasRomanticismgenre paintingfiguresarchitecturelandscapecourtyardmonasterydaily life
experienced study

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective to create depth. It also provides practice in rendering textures of stone, fabric, and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main architectural elements (arch, building) and the placement of the figures.

  2. step 02

    Establish the background landscape with a light wash of blues and greens, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes and colors of the architecture, focusing on the light and shadow patterns.

  4. step 04

    Start adding the figures, beginning with the larger shapes and gradually refining the details.

  5. step 05

    Develop the textures of the stone, fabric, and foliage using layering and dry brushing techniques.

  6. step 06

    Pay attention to the details of the faces and hands to bring the figures to life.

  7. step 07

    Add the small details like the chickens, ladders, and barrels.

  8. step 08

    Refine the overall composition and adjust the values to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · cadmium red · yellow ochre · viridian green

Mix various shades of brown and earth tones by combining burnt umber, raw sienna, and yellow ochre. Use ultramarine blue and white to create the sky and distant mountains. Add small amounts of cadmium red to create the skin tones and fabrics.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·dry brushing
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figures
  • →Not establishing a clear light source
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ultramarine blue, titanium white, cadmium red, yellow ochre, viridian green)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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