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home·artworks·Soup Day in a French Abbey
Soup Day in a French Abbey by Rudolf Jordan

plate no. 0683

Soup Day in a French Abbey

Rudolf Jordan, 1868

oil, canvasRomanticismgenre paintingfiguresinteriorarchitecturenunschildrenabbey
experienced study

Recreating this painting will help students develop skills in rendering realistic figures in complex compositions and understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and perspective of the tiled floor.

  2. step 02

    Block in the main shapes and figures using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of greatest contrast.

  4. step 04

    Develop the details of the figures, paying attention to the folds of the clothing and the facial features.

  5. step 05

    Work on the architectural details, such as the doorway, the balcony, and the wall decorations.

  6. step 06

    Refine the colors and values, adding highlights and shadows to create a sense of depth and realism.

  7. step 07

    Add final details, such as the textures of the clothing and the reflections on the floor.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of burnt umber to create shadows and depth.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective of the tiled floor.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a high-quality canvas primed with gesso. Consider using a medium to improve the flow and blending of the oil paints.

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