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home·artworks·Somebody has been at my porridge, and has eaten it all up!
Somebody has been at my porridge, and has eaten it all up! by Arthur Rackham

plate no. 1682

Somebody has been at my porridge, and has eaten it all up!

Arthur Rackham

oilArt Nouveau (Modern)illustrationbearsfurnituretableporridgeinteriorillustration
some experience helpful

Recreating this painting will help students develop skills in depicting fur texture and creating a sense of depth through layering and subtle value changes. It also provides practice in rendering realistic lighting and creating a narrative scene.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, paying attention to proportions and perspective.

  2. step 02

    Establish the background colors and values, focusing on the wall and floor.

  3. step 03

    Block in the basic shapes and values of the bears, table, and chairs.

  4. step 04

    Begin layering colors and adding details to the bears' fur, using short, broken brushstrokes.

  5. step 05

    Refine the details of the table, chairs, and bowls, paying attention to light and shadow.

  6. step 06

    Add the details of the paintings on the wall.

  7. step 07

    Glaze with thin washes to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · titanium white · cerulean blue

Mix raw umber and ivory black to create the dark fur tones. Use yellow ochre and titanium white to create the lighter fur tones. Mix cerulean blue with white to create the wall color.

techniques

  • ·dry brushing
  • ·layering
  • ·glazing
  • ·scumbling
  • ·hatching

common pitfalls

  • →Overworking the fur and losing the sense of texture.
  • →Creating too much contrast and losing the subtle value changes.
  • →Ignoring the perspective and creating a flat, unrealistic composition.
  • →Not paying attention to the light source and creating inconsistent shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Experiment with different brush sizes and techniques to achieve the desired fur texture.

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oil painting for beginners →how to learn by studying the masters →
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