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home·artworks·Solomon’s Pools, near Jerusalem, looking towards Dead Sea
Solomon’s Pools, near Jerusalem, looking towards Dead Sea by Elizabeth Thompson

plate no. 3805

Solomon’s Pools, near Jerusalem, looking towards Dead Sea

Elizabeth Thompson

oilRomanticismlandscapelandscapemountainswaterskyrockshills
some experience helpful

Recreating this painting will help students develop skills in watercolor layering and atmospheric perspective to create depth. It will also teach how to simplify complex landscapes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, water, and foreground rocks.

  2. step 02

    Apply a light wash of blue and violet to the sky, allowing it to blend softly.

  3. step 03

    Paint the distant mountains with diluted washes of pink, brown, and violet, creating a sense of distance.

  4. step 04

    Add a light wash of yellow and ochre to the sunlit hill.

  5. step 05

    Paint the water with shades of blue and gray, reflecting the sky and surrounding landscape.

  6. step 06

    Layer darker values of brown, green, and violet to the foreground rocks and vegetation.

  7. step 07

    Add details and texture to the rocks using dry brush techniques.

  8. step 08

    Refine the overall composition and add final touches, such as the birds in the sky.

color palette

primary · ultramarine blue · burnt sienna · alizarin crimson

secondary · yellow ochre · violet · raw umber

Mix blues and violets for the sky and distant mountains. Use burnt sienna and yellow ochre for the sunlit areas. Create muted greens by mixing blue and yellow ochre.

techniques

  • ·watercolor washes
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the washes and losing the transparency of the watercolor.
  • →Creating mud by mixing too many colors together.
  • →Failing to establish a clear value structure.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·masking fluid
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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oil painting for beginners →how to learn by studying the masters →
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