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home·artworks·Solitary Tree
Solitary Tree by Caspar David Friedrich

plate no. 2378

Solitary Tree

Caspar David Friedrich, 1822

oilRomanticismlandscapetreelandscapemountainsskysheepwater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It will also provide practice in rendering subtle color variations in the sky and landscape.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, mountains, and horizon line.

  2. step 02

    Block in the sky with light blues and grays, blending softly to create a cloudy effect.

  3. step 03

    Establish the mountain ranges using progressively lighter and bluer tones as they recede into the distance.

  4. step 04

    Lay in the base colors for the fields and foreground, using greens, browns, and yellows.

  5. step 05

    Paint the tree, starting with the trunk and branches, then adding the foliage with varying shades of green.

  6. step 06

    Add details to the foreground, including the sheep, water, and vegetation.

  7. step 07

    Refine the lighting and shadows throughout the painting to create depth and dimension.

  8. step 08

    Add final details, such as highlights on the leaves and reflections in the water.

color palette

primary · Prussian blue · Yellow ochre · Titanium white · Burnt umber

secondary · Sap green · Cadmium yellow light · Payne's gray

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and yellow ochre to create earthy tones for the landscape. Mix greens by combining blues, yellows, and browns.

techniques

  • ·Layering
  • ·Blending
  • ·Atmospheric perspective
  • ·Dry brushing
  • ·Glazing

common pitfalls

  • →Overworking the details in the foreground, which can flatten the perspective.
  • →Using too much pure color without mixing, which can make the painting look unnatural.
  • →Failing to create a sense of depth by not using atmospheric perspective effectively.
  • →Making the tree too symmetrical or uniform, which can make it look unnatural.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian blue, Yellow ochre, Titanium white, Burnt umber, Sap green)
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retarder medium
  • ·Easel

Use a medium-grit canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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