apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Soldiers Resting in a Village, a Cavalry Officer Holding An Austrian Banner
Soldiers Resting in a Village, a Cavalry Officer Holding An Austrian Banner by Albrecht Adam

plate no. 2032

Soldiers Resting in a Village, a Cavalry Officer Holding An Austrian Banner

Albrecht Adam, 1862

oilRomanticismgenre paintingsoldiershorsesvillagebuildingsfigureschildren
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating a sense of depth through atmospheric perspective. It also offers practice in rendering different textures and materials, such as fabric, wood, and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and perspective.

  2. step 02

    Block in the main shapes and forms with thin washes of color.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the areas of greatest contrast.

  4. step 04

    Develop the figures, paying attention to anatomy and proportion.

  5. step 05

    Add details to the buildings and landscape, using smaller brushes.

  6. step 06

    Refine the colors and values, blending and glazing as needed.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium red · raw sienna · ivory black

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and create highlights. Achieve the red uniforms by mixing cadmium red with a touch of burnt umber.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Lack of depth and perspective
  • →Muddy colors
  • →Overworking the details
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (yellow ochre, burnt umber, ultramarine blue, titanium white, cadmium red, raw sienna, ivory black)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke