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home·artworks·Snow-melting
Snow-melting by Laszlo Mednyanszky

plate no. 7732

Snow-melting

Laszlo Mednyanszky, 1899

oilImpressionismlandscapetreesriversnowskylandscapereflection
some experience helpful

Recreating this painting will help students develop skills in layering colors to create atmospheric perspective and capturing the subtle reflections in water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm underpainting of burnt sienna.

  2. step 02

    Sketch the basic composition: horizon line, riverbank, and tree placement.

  3. step 03

    Block in the sky with a gradient of yellow and orange, blending softly.

  4. step 04

    Establish the dark masses of the trees using burnt umber and black.

  5. step 05

    Add lighter tones to the trees to suggest sunlight and form.

  6. step 06

    Paint the river with dark blues and browns, then add horizontal strokes for reflections.

  7. step 07

    Apply highlights to the snow using white and pale blues.

  8. step 08

    Refine details and add final touches to the trees and reflections.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · burnt sienna · black · cadmium yellow

Mix various shades of brown and grey by combining burnt umber, ultramarine blue, and white. Achieve the warm glow by layering yellow ochre and burnt sienna.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the trees.
  • →Making the reflections too symmetrical.
  • →Using too much pure white for the snow.
  • →Ignoring the subtle color variations in the sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·painting easel
  • ·rags
  • ·odorless mineral spirits (for oil paints)
  • ·retarder medium (for acrylics)

Using a toned canvas can help establish the warm undertones of the painting. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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