plate no. 5207
Small Maestà
Ambrogio Lorenzetti, 1340
experienced study
Recreating this painting will help students understand the use of gold leaf, layering techniques, and the representation of figures in a stylized, medieval manner. It also provides practice in creating a complex composition with multiple figures.
technical profile
palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2
study guide
est. 30 hrsapproach — 8 steps
- step 01
Prepare the surface with gesso and sand it smooth.
- step 02
Lightly sketch the main figures and architectural elements, focusing on proportions and placement.
- step 03
Apply gold leaf to the background and halos, burnishing it for a smooth finish.
- step 04
Begin painting the figures with thin layers of color, starting with the underpainting.
- step 05
Gradually build up the colors, adding highlights and shadows to create depth.
- step 06
Paint the details of the clothing, faces, and other elements, using fine brushes.
- step 07
Add the patterns and textures to the throne and other decorative elements.
- step 08
Apply a protective varnish to the finished painting.
color palette
primary · ultramarine blue · vermilion · gold
secondary · ivory black · raw umber · yellow ochre
Achieve the rich blues by layering ultramarine with a touch of black. Create the reds by mixing vermilion with a touch of yellow ochre for warmth.
techniques
- ·layering
- ·glazing
- ·gold leaf application
- ·fine detail brushwork
- ·stylized figure drawing
common pitfalls
- →overworking the gold leaf
- →muddying the colors with too much mixing
- →losing the proportions of the figures
- →applying paint too thickly
- →inaccurate placement of figures
materials
surface · wood panel
required
- ·gesso
- ·fine sandpaper
- ·gold leaf
- ·burnishing tool
- ·ultramarine blue oil paint
- ·vermilion oil paint
- ·ivory black oil paint
- ·small round brushes
optional
- ·palette knife
- ·retarder medium
- ·damar varnish
- ·linseed oil
Use high-quality pigments for the best color saturation and longevity. Consider using a rabbit skin glue size before applying gesso to the panel.
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