apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Small dome - Seraphs
Small dome - Seraphs by Wilhelm Kotarbinski

plate no. 4617

Small dome - Seraphs

Wilhelm Kotarbinski

oilArt Nouveau (Modern)religious paintingdomeangelsarchitecturecrosswindowsornaments
experienced study

Recreating this painting will help students develop skills in perspective, symmetry, and rendering complex patterns. It also provides practice in color mixing to achieve subtle gradations and luminous effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch establishing the central vanishing point and the concentric circles of the dome.

  2. step 02

    Divide the dome into quadrants to accurately place the angels and other repeating elements.

  3. step 03

    Block in the main colors of the background, starting with the darker blues and browns.

  4. step 04

    Gradually build up the details of the angels, focusing on accurate proportions and subtle shading.

  5. step 05

    Paint the gold rings, using highlights and shadows to create a sense of depth and roundness.

  6. step 06

    Add the details of the windows and the cross at the center of the dome.

  7. step 07

    Refine the patterns and ornaments around the edges of the dome.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · alizarin crimson · viridian green · gold

Mix ultramarine blue and burnt umber for the deep blues of the dome. Use yellow ochre and white for the gold details, adding touches of burnt umber for shadows. Mix alizarin crimson and white for the pinkish tones in the angels' faces.

techniques

  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·color layering
  • ·symmetry

common pitfalls

  • →Inaccurate perspective can distort the overall composition.
  • →Overworking the details can make the painting look cluttered.
  • →Incorrect color mixing can result in muddy or unnatural tones.
  • →Failing to establish a strong focal point can weaken the impact of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·turpentine or odorless mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·retarder
  • ·easel

A round canvas would be ideal, but a square or rectangular canvas can also be used. If using acrylics, consider using a retarder to slow down the drying time and allow for more blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois