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home·artworks·Slumbering Sea, Mentone
Slumbering Sea, Mentone by Tom Roberts

plate no. 8461

Slumbering Sea, Mentone

Tom Roberts, 1887

oilImpressionismlandscapebeachcliffswaterfiguresboatsky
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering textures with visible brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like the cliffs, boat, and figures.

  2. step 02

    Establish the overall value structure with a thin wash of color, paying attention to the light and shadow patterns.

  3. step 03

    Block in the main color masses for the sky, water, cliffs, and beach, using broad brushstrokes.

  4. step 04

    Begin adding details to the cliffs, focusing on the variations in color and texture.

  5. step 05

    Refine the figures and boat, paying attention to their proportions and placement within the scene.

  6. step 06

    Add details to the beach, using small brushstrokes to create the impression of pebbles and sand.

  7. step 07

    Glaze thin layers of color to adjust the values and create depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · raw sienna

Mix various combinations of yellow ochre, ultramarine blue, and white to create the sky and water. Use burnt umber and yellow ochre for the cliffs, adding white to lighten the tones. Mix yellow ochre, raw sienna, and white for the beach.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to establish a strong value structure early on.
  • →Using colors that are too saturated and not capturing the subtle atmospheric effects.
  • →Making the brushstrokes too uniform and not varying the texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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