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home·artworks·Sketch for the Portrait of Friedrich Naumann
Sketch for the Portrait of Friedrich Naumann by Max Liebermann

plate no. 1910

Sketch for the Portrait of Friedrich Naumann

Max Liebermann

oilImpressionismsketch and studyportraitmanheadshoulderssketch
some experience helpful

Recreating this painting will help students practice capturing likeness with loose brushstrokes and understanding the importance of value in creating form. It also provides an opportunity to study the impressionistic style of portraiture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Block in the main areas of shadow and light with thin washes of color.

  3. step 03

    Start building up the darker values, focusing on the areas around the eyes, nose, and mouth.

  4. step 04

    Add the hair, using loose, expressive brushstrokes.

  5. step 05

    Refine the shapes and values of the face, paying attention to the subtle shifts in tone.

  6. step 06

    Add the details of the clothing, keeping the brushstrokes loose and gestural.

  7. step 07

    Soften edges and blend colors where necessary to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the portrait to life.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red light

Mix various shades of brown and flesh tones by combining raw umber, burnt sienna, titanium white, and small amounts of cadmium red light. Use ultramarine blue to create cooler shadows and to neutralize the warm tones.

techniques

  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·value studies
  • ·color temperature

common pitfalls

  • →Overworking the painting and losing the freshness of the sketch.
  • →Focusing too much on detail and neglecting the overall form.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas (light brown or gray) can be helpful for establishing the initial values.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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