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home·artworks·Sketch for 'Cemetery, south of France'
Sketch for 'Cemetery, south of France' by Rupert Bunny

plate no. 0881

Sketch for 'Cemetery, south of France'

Rupert Bunny, 1920

oilImpressionismlandscapelandscapetreesfieldbuildingskyhills
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as using visible brushstrokes to build texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: horizon line, mountain, building, and tree placements.

  2. step 02

    Block in the sky with a thin layer of light blue, allowing some variation in tone.

  3. step 03

    Establish the distant hills with a muted blue-green mix, fading towards the horizon.

  4. step 04

    Lay in the basic colors of the field: greens, yellows, and browns, varying the mix in different areas.

  5. step 05

    Add the trees, starting with the darker trunk and branch structure, then layering on foliage with dabs of color.

  6. step 06

    Paint the building with light tones, suggesting form with subtle shadows.

  7. step 07

    Refine the details in the foreground, adding texture with short, broken brushstrokes.

  8. step 08

    Add final highlights and shadows to enhance the sense of light and depth.

color palette

primary · yellow ochre · ultramarine blue · titanium white · sap green

secondary · burnt umber · cadmium yellow light · raw sienna

Mix greens by combining yellow ochre, ultramarine blue, and white. Vary the proportions to create different shades. Use burnt umber and ultramarine blue to create muted grays and browns for the tree trunks and shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating too much detail in the background, flattening the sense of depth.
  • →Using too much paint, obscuring the texture of the brushstrokes.
  • →Neglecting the subtle color variations in the field and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (for oil paints)
  • ·odorless mineral spirits (for oil paints)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·apron

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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