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home·artworks·Sir Thomas Spencer Wells Bt. (
Sir Thomas Spencer Wells Bt. ( by Solomon Joseph Solomon

plate no. 3382

Sir Thomas Spencer Wells Bt. (

Solomon Joseph Solomon, 1897

oilRomanticismportraitportraitfigurewinetablebottlesglass
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and rendering skin tones, as well as understanding how to create depth and atmosphere through layering and glazing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, table, and bottles.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color, focusing on the background, clothing, and skin tones.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, refining the likeness.

  6. step 06

    Paint the details of the clothing, table, and bottles, using thicker paint and more visible brushstrokes.

  7. step 07

    Glaze the painting with thin layers of transparent color to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · ivory black

secondary · cadmium red · titanium white

Mix skin tones using yellow ochre, burnt umber, and a touch of cadmium red, lightened with titanium white. Achieve the darks by mixing burnt umber and ivory black. Use glazes of cadmium red for the wine.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Using too much paint, resulting in a muddy or overworked painting.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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