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home·artworks·Sir John Freeman-Mitford, Baron Redesdale
Sir John Freeman-Mitford, Baron Redesdale by Thomas Lawrence

plate no. 6745

Sir John Freeman-Mitford, Baron Redesdale

Thomas Lawrence

oilRomanticismportraitportraitfigurerobewigdraperyhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding light and shadow to create form. It also provides practice in rendering textures like fabric and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and robe.

  2. step 02

    Block in the main areas of color: the skin tones, the background, the robe, and the wig.

  3. step 03

    Begin refining the facial features, paying close attention to the light and shadow on the face.

  4. step 04

    Develop the details of the robe, including the gold trim and the folds of the fabric.

  5. step 05

    Work on the wig, using short, broken strokes to create the texture of the hair.

  6. step 06

    Refine the background, adding subtle variations in color and tone.

  7. step 07

    Add final details, such as the lace collar and the jewelry.

  8. step 08

    Glaze and adjust values as needed to create a cohesive and realistic image.

color palette

primary · ivory black · cadmium red · yellow ochre · titanium white

secondary · raw umber · burnt sienna · gold

Mix skin tones by blending white, yellow ochre, and a touch of red. Use raw umber and ivory black to create the dark tones in the robe. Mix gold with yellow ochre, burnt sienna and a touch of black for the gold trim.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabric
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and volume.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to make it easier to judge values.

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oil painting for beginners →how to learn by studying the masters →
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