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home·artworks·Sir John C. Horsfall, Bt, Chairman of the County Council of the West Riding of Yorkshire
Sir John C. Horsfall, Bt, Chairman of the County Council of the West Riding of Yorkshire by Richard Jack

plate no. 5834

Sir John C. Horsfall, Bt, Chairman of the County Council of the West Riding of Yorkshire

Richard Jack

oilImpressionismportraitportraitfiguremanchairclothingfacial hair
some experience helpful

Recreating this painting will help students develop skills in portrait painting, including capturing likeness and rendering form through light and shadow. It also offers practice in creating a sense of depth and atmosphere with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair, paying attention to the overall composition.

  2. step 02

    Establish the background with broad, loose strokes of dark browns and blacks, creating a sense of depth.

  3. step 03

    Block in the main areas of color for the face, hands, and clothing, focusing on the overall value structure.

  4. step 04

    Refine the facial features, paying close attention to the subtle variations in skin tone and the play of light and shadow.

  5. step 05

    Add details to the clothing and chair, using thicker paint and more defined brushstrokes.

  6. step 06

    Soften edges and blend colors where necessary to create a sense of atmosphere and realism.

  7. step 07

    Add highlights to the face, hands, and clothing to create a sense of depth and dimension.

  8. step 08

    Review the painting as a whole and make any necessary adjustments to the composition, color, or value.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red light

secondary · viridian · yellow ochre

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Use cadmium red light to add warmth to the skin tones. Mix viridian with white and yellow ochre to create the teal color of the tie.

techniques

  • ·blocking in
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using too much color and losing the overall harmony
  • →Ignoring the importance of edges and transitions

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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