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home·artworks·Sir Hugh Patterson, Bt, MP
Sir Hugh Patterson, Bt, MP by David Allan

plate no. 1233

Sir Hugh Patterson, Bt, MP

David Allan

oilRomanticismportraitportraitfiguremanwigclothinghistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and creating a sense of depth through subtle value changes. It also provides practice in painting fabric and hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and clothing.

  2. step 02

    Establish the background with a thin wash of muted brown and gray tones.

  3. step 03

    Block in the main areas of color for the face, hair, clothing, and background.

  4. step 04

    Begin to refine the skin tones, paying attention to the subtle variations in color and value.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Develop the clothing, focusing on the folds and shadows.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · raw umber · burnt sienna · cadmium red

secondary · ivory black · yellow ochre

Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of raw umber. Use raw umber and ivory black for shadows. Mix burnt sienna and raw umber for the coat.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much detail too early in the painting process.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and richness of the colors.

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oil painting for beginners →how to learn by studying the masters →
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