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home·artworks·Sir Henry Irving, as Mathias in 'The Bells'
Sir Henry Irving, as Mathias in 'The Bells' by James Archer

plate no. 8749

Sir Henry Irving, as Mathias in 'The Bells'

James Archer, 1872

oilRomanticismportraitportraitfiguremanchairclothinginterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting textures and fabrics with subtle variations in color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, blended strokes of dark browns and reds.

  3. step 03

    Block in the main shapes of the figure, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes.

  5. step 05

    Develop the clothing, rendering the folds and textures with careful brushwork.

  6. step 06

    Add details to the chair and other elements in the composition.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and adjust values as needed to achieve a cohesive and realistic result.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · ivory black

Mix various shades of brown by combining burnt umber, raw sienna, and white. Use yellow ochre to create warmer tones and ivory black to create cooler shadows.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall value structure.
  • →Using too much paint and losing the subtle variations in color.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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