apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sir Edward Cockburn and Colonel George Cockburn
Sir Edward Cockburn and Colonel George Cockburn by Thomas Jones Barker

plate no. 8203

Sir Edward Cockburn and Colonel George Cockburn

Thomas Jones Barker, 1858

oilRomanticismportraitfigureshorseslandscapemilitaryskycityscape
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as landscape painting with atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures, horses, and landscape.

  2. step 02

    Block in the main shapes and colors of the background, starting with the sky and mountains.

  3. step 03

    Establish the basic values and colors of the figures and horses, focusing on accurate proportions and anatomy.

  4. step 04

    Develop the details of the figures' clothing and facial features, paying attention to light and shadow.

  5. step 05

    Refine the landscape details, including the buildings, ships, and foliage.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Blend and refine the brushstrokes to achieve a smooth, realistic finish.

  8. step 08

    Add final details and adjustments to complete the painting.

color palette

primary · burnt umber · ultramarine blue · cadmium red · yellow ochre

secondary · titanium white · ivory black · raw sienna

Mix various shades of brown and green for the landscape. Use white to lighten colors for highlights and create atmospheric perspective. Mix red and yellow for the uniforms.

techniques

  • ·portraiture
  • ·atmospheric perspective
  • ·glazing
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of figures and horses
  • →Muddy or unrealistic skin tones
  • →Lack of depth in the landscape
  • →Overworking details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke