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Sir David Murray, Artist by James Archer

plate no. 1674

Sir David Murray, Artist

James Archer, 1890

oilRomanticismportraitportraitfiguremanclothingfacemustache
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in creating depth and form through layering and blending.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure using light pencil lines.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Start layering in the mid-tones, gradually building up the shadows and highlights.

  4. step 04

    Pay close attention to the subtle color variations in the skin tones, using thin glazes.

  5. step 05

    Refine the details of the face, focusing on the eyes, nose, and mouth.

  6. step 06

    Add details to the clothing and background, maintaining a sense of depth.

  7. step 07

    Use visible brushstrokes to add texture and interest to the painting.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · raw umber · burnt sienna · titanium white · ivory black

secondary · cadmium red light · yellow ochre · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Darken areas with umber and black, and lighten with white and yellow ochre. Use ultramarine blue to cool down shadows.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Using too much black, making the shadows look muddy.
  • →Ignoring the subtle color variations in the skin tones.
  • →Getting the proportions wrong, resulting in a distorted likeness.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (raw umber, burnt sienna, titanium white, ivory black, cadmium red light, yellow ochre, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Soft cloths

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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