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home·artworks·Sir Codrington Edmund Carrington
Sir Codrington Edmund Carrington by Thomas Lawrence

plate no. 3847

Sir Codrington Edmund Carrington

Thomas Lawrence, 1801

oilRomanticismportraitportraitfiguremanclothingred backgroundhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding value relationships to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Block in the background with a thin layer of red paint, establishing the overall tone.

  3. step 03

    Establish the dark values of the coat and hair, paying attention to the subtle variations within the dark areas.

  4. step 04

    Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  5. step 05

    Refine the features of the face, focusing on capturing the likeness of the subject.

  6. step 06

    Add details to the clothing, such as the collar and tie, using small brushstrokes.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · cadmium red · yellow ochre · titanium white

secondary · ultramarine blue · burnt umber

Skin tones can be achieved by mixing yellow ochre, cadmium red, and titanium white, with small amounts of burnt umber and ultramarine blue for shadows. The background is primarily cadmium red, darkened with burnt umber.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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