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home·artworks·Simplon Pass Chalets
Simplon Pass Chalets by John Singer Sargent

plate no. 6110

Simplon Pass Chalets

John Singer Sargent, 1911

watercolorImpressionismlandscapebuildingsmountainsskylandscapestone wallchalets
some experience helpful

This painting is great for learning how to create atmospheric perspective and capturing light and shadow with watercolor washes. Recreating this will help students understand how to simplify complex scenes and suggest detail rather than rendering every element precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: mountains, buildings, and the stone wall.

  2. step 02

    Establish the sky with a diluted wash of blues and grays, allowing for soft edges.

  3. step 03

    Apply a light wash of yellow ochre and burnt sienna to the foreground, varying the intensity.

  4. step 04

    Paint the mountains with layers of diluted blues and purples, creating depth.

  5. step 05

    Add the buildings using a mix of burnt sienna, raw umber, and touches of blue for shadows.

  6. step 06

    Define the stone wall with individual stones using grays, browns, and whites.

  7. step 07

    Add details like shadows and highlights to the buildings and landscape.

  8. step 08

    Refine edges and add final touches to create a sense of atmosphere.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · raw umber · payne's gray · titanium white

Mix blues and browns for the mountain shadows. Use yellow ochre and burnt sienna for the warm tones of the landscape. Add white to create lighter values and atmospheric haze.

techniques

  • ·wet-on-wet blending
  • ·dry brush
  • ·layering washes
  • ·lifting color
  • ·glazing

common pitfalls

  • →Overworking the details and losing the freshness of the watercolor.
  • →Using too much water, which can lead to uncontrolled blooms.
  • →Not allowing layers to dry completely before adding more washes.
  • →Making the colors too saturated and lacking subtlety.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·masking tape
  • ·sketching pencil

optional

  • ·palette knife
  • ·lifting preparation
  • ·spray bottle
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →color theory for painters →how to learn by studying the masters →
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