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home·artworks·Silvana Cenni
Silvana Cenni by Felice Casorati

plate no. 7300

Silvana Cenni

Felice Casorati, 1922

canvas, temperaArt Nouveau (Modern)portraitfigureportraitdresswindowbuildinginterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering fabric folds. It also provides practice in creating depth through atmospheric perspective and understanding light and shadow.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, chair, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with diluted paint.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle shifts in color and value.

  4. step 04

    Develop the details of the dress, focusing on the folds and drapery.

  5. step 05

    Paint the patterned fabric of the chair, simplifying the design as needed.

  6. step 06

    Work on the background elements, including the window, building, and interior details.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium red light

Mix skin tones using white, yellow ochre, and a touch of red and umber. Achieve the muted background colors by mixing umber, white, and a small amount of blue or green.

techniques

  • ·value studies
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Failing to capture the subtle shifts in skin tone.
  • →Making the patterned fabric too busy or distracting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a fine-weave canvas for smoother blending. Tempera can be substituted for oil paint.

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