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home·artworks·Sigurd and Fafnir
Sigurd and Fafnir by Hermann Hendrich

plate no. 4054

Sigurd and Fafnir

Hermann Hendrich, 1906

oilRomanticismillustrationfiguredragoncaveswordmythologylandscape
some experience helpful

Recreating this painting will help students develop skills in depicting dramatic lighting and creating a sense of depth through value and color variations. It will also provide practice in rendering figures and fantastical creatures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, dragon, and cave entrance.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber and raw sienna, creating the dark and light areas.

  3. step 03

    Block in the main colors of the figure, dragon, and cave walls, paying attention to the light source.

  4. step 04

    Begin to refine the details of the figure, focusing on anatomy and highlights.

  5. step 05

    Add details to the dragon, including scales, teeth, and eyes, using darker greens and browns.

  6. step 06

    Develop the texture of the cave walls with dry brush techniques and subtle color variations.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · viridian green · cadmium red · yellow ochre

Achieve the skin tones by mixing raw sienna, burnt umber, and titanium white. Create the dragon's green by mixing viridian green with burnt umber and yellow ochre. Use burnt umber and raw sienna to create the dark shadows in the cave.

techniques

  • ·dry brush
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Failing to create a strong sense of light and shadow.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·cadmium red oil paint
  • ·assorted brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·retouch varnish

Use a medium-grit canvas to allow for texture. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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