apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Signaling the Main Command
Signaling the Main Command by Frederic Remington

plate no. 5548

Signaling the Main Command

Frederic Remington, 1885

oilImpressionismgenre paintinghorsesfigureslandscapeskyflagmilitary
some experience helpful

Recreating this painting will help students develop skills in depicting figures and horses in a landscape setting, as well as understanding atmospheric perspective. It also provides practice in rendering details with watercolor washes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures, horses, and landscape elements, paying attention to proportions and perspective.

  2. step 02

    Apply a light wash of diluted yellow ochre and raw sienna to the sky and background landscape.

  3. step 03

    Establish the basic colors for the horses and figures using thin washes of burnt umber, raw umber, and ultramarine blue.

  4. step 04

    Build up the values gradually, adding layers of color to create depth and form.

  5. step 05

    Define the details of the figures' clothing, equipment, and facial features using smaller brushes and more concentrated pigments.

  6. step 06

    Paint the flag with careful attention to its colors and folds.

  7. step 07

    Add subtle highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · yellow ochre · burnt umber · raw sienna · ultramarine blue

secondary · cadmium red · ivory black · titanium white

Mix various shades of brown and gray by combining burnt umber, raw umber, ultramarine blue, and small amounts of black and white. Use diluted washes of yellow ochre and raw sienna for the sky and background.

techniques

  • ·watercolor washes
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or intense.
  • →Failing to establish a clear sense of depth and perspective.
  • →Inaccurate proportions of figures and horses.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Masking tape

optional

  • ·palette knife
  • ·gouache
  • ·ruler

Use high-quality watercolor paints and paper for best results. Experiment with different brush sizes and techniques to achieve the desired effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann