apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sierra Nevada, Granada
Sierra Nevada, Granada by Joaquín Sorolla

plate no. 0552

Sierra Nevada, Granada

Joaquín Sorolla, 1917

oil, canvasImpressionismlandscapemountainsbuildinglandscapehillsskytrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, hills, and building, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the general proportions of the landscape.

  3. step 03

    Block in the main color masses for the sky, mountains, hills, building, and foliage.

  4. step 04

    Develop the atmospheric perspective by making the distant mountains cooler and lighter in value.

  5. step 05

    Add details to the building, using light and shadow to create form.

  6. step 06

    Refine the foliage with varied greens and expressive brushstrokes.

  7. step 07

    Add highlights to the snow-capped mountains and the building to create focal points.

  8. step 08

    Review and adjust the overall balance of color and value.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · sap green · cadmium orange · violet

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white and a touch of blue to the mountain colors.

techniques

  • ·alla prima
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brush

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to establish a clear value structure, resulting in a flat painting.
  • →Using colors that are too saturated, which can detract from the atmospheric effect.
  • →Neglecting the importance of edges and transitions between shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, sap green, cadmium orange)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·viewfinder

Use a limited palette to achieve color harmony. Consider using a toned canvas to establish a mid-tone value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann